Smith/Stewart
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Stephanie Smith
Born 1968, Manchester, England
Education
1991-93 Participating artist, Rijksakademie van Beeldende
Kunsten, Amsterdam
1987-91 BA Fine Art, Slade School of Fine Art, University College
London
1986-87 Foundation Year, Manchester Polytechnic
Edward Stewart
Born 1961, Belfast, N. Ireland
Education
1990-92 Participating artist, Rijksakademie van Beeldende
Kunsten,
Amsterdam
1988-90 MA Fine Art, Glasgow School of Art
1985-88 BA Fine Art &
1984-85 Foundation Year, University of Ulster
Solo exhibition
2007/8 “Enter Love and Enter Death”, Inverleith House, Royal
Botanic Garden, Edinburgh
2005 “Gi: Glasgow International”, 1st Floor, 64 Osborne St.,
Glasgow Solo exhibitions contd.
“Barbarism begins at home”, Klemens Gasser & Tanja
Grunert Inc., New York
2004 Milton Keynes Gallery, Milton Keynes, [including part three
of “A Black Thread”, (co-commissioned by Film & Video
Umbrella, London)]
2003 “A Black Thread 2”, 'Art Sheffield 03', Fletcher Works,
Sheffield, co-ordinated by Sheffield Contemporary Art
Forum & co-commissioned by Film & Video Umbrella,
London
2002 “A Black Thread”, Chisenhale Gallery, London,
co-commissioned by Film & Video Umbrella, London
Centre of Art, Salamanca, Spain
2001 “Whatever was in your head you projected on the wall”,
Galerie Akinci, Amsterdam
Klemens Gasser & Tanja Grunert Inc., New York
2000 Galerie Bob van Orsouw, Zurich
“In camera”, Art Gallery of York University, Toronto,
Canada
1999 Portikus, Frankfurt, Germany
“Concourse Gallery”, Barbican Centre, London
Fri-Art Centre d'Art Contemporain Kunsthalle, Fribourg,
Switzerland
Kunstmuseum Luzern, Luzern, Switzerland
NGBK, Berlin
Studio Stefania Miscetti, Rome
1998 “Hooded.Bared.”, Fruitmarket Gallery, Edinburgh
1997 Anthony d'Offay Gallery, London
Australian Centre for Photography, Sydney, Australia
Isabella Kacprzak, Berlin
Gio Marconi Gallery, Milano
1995 “Sustain”, The Showroom, London
“Project Room & Sound Lobby”, Tramway, Glasgow
1992/3 “Project room”, Rijksakademie, Amsterdam
Group exhibition
2008 “My name is Red”, Furini arte contemporanea, Arezzo, Italy
Klemens Gasser & Tanja Grunert Inc., New York, USA
(solo) Centro de Historia, Zaragoza, Spain
2007/08 “Words in Art”, Mart- Museo di Arte Moderna e
Contemporanea di Trento e Rovereto, Italy
2007 “small is beautiful”, Klemens Gasser & Tanja Grunert Inc.,
New York, USA
“Into Me/Out of Me”, MARCO, Rome, Italy
“Only Connect”, The Mills Gallery at the Boston Center for
the Arts, Boston, USA
“I AM MAKING ART 4 Studies on the Artist's Body”, Centre
d'Art Contemporain Genève, Geneva, Switzerland
2006 “Into Me/Out of Me”, Kunst Werke ICA, Berlin, Germany
“thread”, Ingleby Gallery, Edinburgh Art Festival,
Edinburgh, Scotland
“Into Me/Out of Me”, PS1 MoMA, New York, USA
“NewcastleGateshead Winter Festival”, Newcastle upon
Tyne, England
“Anticipation”, Museum of Contemporary Photography,
Chicago, USA
“If it didn't exist you'd have to invent it...A partial Showroom
history”, The Showroom, London
“New Work”, Klemens Gasser & Tanja Grunert Inc.,
New York, USA
“Responding to Rome”, Estorick Collection, London
2005/6 “Night Sites”, Kunstverein Hannover, Germany
2005 “Figure It Out, Select: From the Arts Council Collection”,
The Cooper Gallery, Barnsley
“Ergriffenheit - Werke aus der Sammlung von Hodler bis
Henning”, Kunstmuseum Luzern, Luzern, Switzerland
2004 “Interactions Fictives”, Musee cantonal des Beaux-Arts de
Lausanne, Lausanne, Switzerland
“Incommunicado”, Hayward Gallery National Touring
Exhibition, Cornerhouse, Manchester
“Incommunicado”, Hayward Gallery National Touring
Exhibition, City Art Gallery, Edinburgh
“Unlimited Edition, 10 years of artists' film and video
works”, Film & Video Umbrella London, touring to
various UK venues
2003/4 “Le Monde selon Francois Dubois”, Musee Cantonal des
Beaux-Arts, Lausanne, Switzerland
“Artistic Program for Pavilion Touchscreens”,
Incommunicado, Dan Graham Pavilion, Hayward Gallery,
London
2003 “Incommunicado”, Hayward Gallery National Touring
Exhibition, The Sainsbury Centre for the Visual Arts,
Norwich
“Orifice”, Australian Centre for Contemporary Art,
Melbourne, Australia
“Into the Breach”, Smart Project Space, Amsterdam,
Netherlands
2002 “Put On”, Stride Gallery, Calgary, Canada
“Imaginaires contemporains du corps (2): entre chien et
loup”, La Galerie, Ecole Superieur des Beaux Arts de
Cornouaille, Quimper, France
“Self Evident: the artist as the subject 1969-2002”, Tate
Britain, London
“New: Recent Acquisitions of Contemporary British Art”,
Scottish National Gallery of Modern Art, Edinburgh
Tate Modern, video room, London
The British School at Rome, Rome, Italy
“Sensitive Screens: Videoart of the 90's”, Fundacio "La
Caixa", Girona, Spain
“Pause”, Galerie Cent8, Paris, France
“Time Machine”, Kunstmuseum Bern, Bern, Switzerland
“Sensitive Screens: Videoart of the 90's”, Fundacio "La
Caixa", Lerida, Spain
“afterthelostones”, Galerie de l'UQAM, Montreal, Canada
2001 “Here and Now”, Scottish Art 1990-2001, various venues,
Dundee
“Blind Vision”, San Jose Museum of Art, San Jose,
California, USA
“Video Jam”, Palm Beach Institute of Contemporary Art,
Palm Beach, Florida, USA
“Black Box. The Dark Room in Art”, Kunstmuseum Bern,
Bern, Switzerland
“Unter Wasser”, Museum Bellerive, Zurich, Switzerland
Emotional Ties, Tate Liverpool, Liverpool
Fogg Art Museum, Harvard University, Cambridge, MA,
USA
“Open Country”, Musee Cantonal des Beaux-Arts,
Lausanne, Switzerland
2000 “Seeing Time”, ZKM, Karlsruhe, Germany
“Sweetie”, Dulcinea, Istanbul, Turkey
“Mixing Memory and Desire”, Kunstmuseum Luzern,
Luzern, Switzerland
“The Anagrammatical Body - The Body and its Medial
Construction”, ZKM, Karlsruhe, Germany
Museum Magogo, PB Gallery, Melbourne, Australia
“Over...”, Galerie Akinci, Amsterdam, Netherlands
1999/00 “Seeing Time: Selections from the Pamela & Richard
Kramlich “Collection of Media Art”, San Francisco MOMA,
San Francisco, USA
1999 Museum Magogo, Glasgow Project Space, Glasgow
“looselipssinkships”, Galerie Erna Hecey, Luxembourg
“Sweetie”, Museo d'Arte Nuoro, Nuoro, Sardinia
“Signs of Life”, Melbourne International Biennial,
Melbourne, Australia
Galleria d'Arte Moderna e Contemporanea, Bergamo, Italy
“Sweetie”, British School at Rome, Rome, Italy
“Loved Up”, Artezium Gallery, Luton
“This Was Now”, Travelling Gallery (various venues,
Scotland)
1998/9 “Select, Film & Video Umbrella”, London (various UK
venues including Camden Arts Centre, London)
1998 “Pandaemonium”, LEA Gallery, London
“Like a Shadow”, Mackintosh Gallery, Glasgow School of
Art, Glasgow
“Hidden Desires & Images”, Parco Gallery, Tokyo, Japan
“Pleasure & Commitment”, Galleri Index, Stockholm,
Sweden
“Single Screen”, Norwich Gallery, Norwich
“Partners”, Philadelphia Museum of Art, Philadelphia, USA
“New Video from Great Britain”, MOMA, New York, USA
1997/8 “Bittersweet”, Whitworth Art Gallery, Manchester
“Correspondences: Scotland/Berlin”, Martin Gropius Bau,
Berlin & Scottish National Gallery of Modern Art, Edinburgh
1997 “The Look of Love”, The Approach, London
& John Hansard Gallery, Southampton
“Video Positive”, Liverpool
“Glasgow:Kunsthalle Bern”, Kunsthalle Bern, Bern,
Switzerland
1996 “Everybody's Talking”, Gemeentemuseum, Helmond,
Netherlands
“Electronic Undercurrents”, Statens Museum for Kunst,
Copenhagen, Denmark
“Ripe”, Bluecoat Gallery, Liverpool
“Toyama Now '96”, MOMA, Toyama, Japan
“Art for People”, Transmission Gallery, Glasgow
“Now Here”, Louisiana MOMA, Humlebaek, Denmark
“X/Y”, Artists Space, New York, USA
Station Arts Electroniques Festival, Rennes, France
1995/6 Biennale d'Art Contemporain, Lyon, France
1995 “X/Y”, Centre Georges Pompidou, Paris, France
“Skot Osz 95”, Bartok Galeria, Budapest, Hungary
“Interpretation”, The Grange Courtyard, Linlithgow
“Video Positive”, Tate Gallery, Liverpool
1994 “New Art in Scotland”, Centre for Contemporary Arts,
Glasgow & Aberdeen Art Gallery, Aberdeen
1993 “AVE Festival”, Gemeente Museum, Arnhem, Netherlands
Screenings
2005 “Repetition”, First Friday Films, Fresno Metropolitan
Museum, Fresno, California, USA, (August 5)
2004 “Calling All Agents - INS Radio Broadcasting Unit”, radio
project, ICA, London
2004 “’A Century of Artists' Film in Britain”, Tate Britain, London
(Programme 4, In Extremis, 26 Jan - 18 April)
2003 The Dan Graham Pavilion, Hayward Gallery, London
2002 “Dichotomie”, Afterimage screening, Schauspielhaus,
Vienna, Austria
“Performing Bodies screening”, Moderna Museet,
Stockholm, Sweden
2001 “Smith/Stewart Monograph tape”, distributed by Film &
Video Umbrella, London, various UK venues (incl. Tate
Liverpool and ICA, London)
2000 “Performing Bodies: Empire of the Senses”, screening,
Tate Modern, London
“Uncommon Senses”, screening / conference, Concordia
University, Montreal, Canada
“British/Canadian Video Exchange 2000”, various
Canadian & UK venues
1999 “New Video from Great Britain”, distributed by Film & Video
Umbrella, London (tour of various South American venues)
“British/Canadian Video Exchange", various Canadian
venues
1998 MuuMedia Festival, Helsinki, Finland
“Video Viewpoints”, talk/screening, MOMA, New York,
USA
1997 “Take Two”, distributed by Film & Video Umbrella,
London (various UK venues)
“Spin Off”, video anthology, distributed by the National
Film Board of Denmark (various venues, Denmark)
“UKNY”, distributed by Film & Video Umbrella London
(various UK venues)
“Exploding Cinema”, screening, International Film
Festival, Rotterdam, Netherlands
1996 Serving Suggestions, Fringe Film & Video Festival,
Edinburgh
“Chicken Farm”, screening, New York, USA
“New Visions”, International Film & Video Festival,
Glasgow
“Against, screening”, Anthony d'Offay Gallery, London
“No Pain, No Gain”, distributed by Film & Video Umbrella
London (various UK venues including ICA, London)
Videonale 7, Bonn, Germany
“BeAMonster”, video programme, The Griffin, Glasgow
(& London & Dublin)
“Serving Suggestions”, Fringe Film & Video Festival,
Edinburgh
Smart Show, Stockholm, Sweden
“Timing”, screening, De Appel, Amsterdam, Netherlands
1995/6 “Instant”, distributed by Film & Video Umbrella, London
(various UK venues including Camden Arts Centre,
London & Tramway, Glasgow)
1995 “AVE Festival”, Gemeente Museum, Arnhem, Netherlands
1994/5 “Fresh”, distributed by Film & Video Umbrella, London
(various UK venues including ICA & Tate Gallery, London)
1994 “New Visions”, International Film & Video Festival,
Glasgow
Awards/residencies
2006 Creative Scotland Award, The Scottish Arts Council
2002 The Henry Moore Sculpture Fellowship 2001-2002,
The British School at Rome
2001 Artists' Award, The Scottish Arts Council
Residency, iaab studios, Basel, Switzerland (June-July)
2000 Residency Award in Tokyo, Tate Gallery Patrons of
New Art
1995/6 Artists Award, The Scottish Arts Council
1995 Summer residency, Tramway, Glasgow
Collections
Statens Museum for Kunst, Copenhagen, Denmark
Toyama Museum of Modern Art, Toyama, Japan
Kunsthaus Zurich, Zurich, Switzerland
Fondation Leschot, Bern, Switzerland
Scottish National Gallery of Modern Art, Edinburgh
Contemporary Art Society, London / Walker Art Gallery, Liverpool
Arts Council Collection, London
Tate Gallery, London
Kunstmuseum Luzern, Luzern, Switzerland
San Francisco Museum of Modern Art, San Francisco, USA
Musee Cantonal des Beaux-Arts, Lausanne, Switzerland
Kunstmuseum Bern, Bern, Switzerland
Publications
2008 “The Anagrammatical Body - The Body and its Medial
Construction”, ZKM, Karlsruhe, Germany (ill.)
“Enter Love and Enter Death”, Inverleith House, Royal
Botanic Garden, Edinburgh (ill.) (solo)
2007/8 “Into Me/Out of Me”, PS1 MoMA, New York, USA (ill.)
2006 “VIDEO ART”, Taschen, Germany (ill.), Forthcoming
Publications
“Responding to Rome”, Rome/London, (Iill.)
2005 “Night Sites”, Kunstverein Hannover, Hannover, Germany
(ill.)
“Video Art, A Guided Tour”, Catherine Elwes. I. B. Tauris,
London (ill.)
2004 “A Black Thread”, publication, Film & Video Umbrella,
London (solo, ill.)
2003 “Video Art”, Michael Rush, Thames & Hudson,
London (ill.)
“Incommunicado”, Hayward Gallery National Touring
Exhibition catalogue, London (ill.)
2002 “Self Evident: the artist as the subject 1969-2002”, Tate
Britain, London
“New: Recent Acquisitions of Contemporary British Art”,
SNGMA, Edinburgh (ill.)
“Fine Arts 2001 – 2002, The British School at Rome”,
Rome, Italy (ill.)
“afterthelostones”, Galerie de l'Universite Quebec a
Montreal, Montreal, Canada (ill.)
2001 “Smith/Stewart” Film & Video, Umbrella minigraph solo
publication, London (ill.)
“Here + Now”, DCA, Dundee (ill.)
“Black Box. The Dark Room in Art”, Kunstmuseum Bern,
Bern, Switzerland (ill.)
“Unter Wasser”, Museum Bellerive, Zurich, Switzerland (ill.)
2000 “Ahead”, solo publication, Codax Publisher, Zurich,
Switzerland (ill.)
“Fresh Cream”, Phaidon Press, London (ill.)
“Mixing Memory and Desire catalogue”, Kunstmuseum
Luzern, Luzern, Switzerland (ill.)
“British/Canadian Video Exchange”, catalogue (ill.)
“In Camera”, solo catalogue, Art Gallery of York University,
Toronto, Canada (ill.)
1999/00 “Seeing Time”, catalogue, San Francisco Museum of
Modern Art (ill.)
1999 “New Media in Late 20th-Century Art”, Michael Rush,
Thames & Hudson, London, (ill.)
“Centre d'Art Contemporain Fri-Art Kunsthalle 1998-1999”,
Fri-Art, Fribourg, Switzerland (ill.)
“Godforsaken Hole / Free Hand”, solo publication,
Barbican Centre, London, text by Francis McKee (ill.)
“Signs of Life”, Melbourne International Biennial catalogue
& CD Rom(ill.)
“Kunstmuseum Luzern & Portikus”, Frankfurt solo
catalogue, Luzern & Frankfurt/M (ill.)
“NGBK”, brochure, Berlin (ill.)
“Sweetie”, catalogue, Rome (ill.)
1998 “A Companion Guide to the Scottish National Gallery of
Modern Art”, Edinburgh (ill.)
“Pandaemonium”, catalogue, London (ill.)
“Take Two”, brochure, Film & Video Umbrella (ill.)
“Like a Shadow”, publication, Glasgow School of Art (ill.)
“Fruitmarket Gallery”, solo catalogue, Edinburgh (ill.)
“Hidden Desires”, catalogue, Japan (ill.)
“UKNY”, brochure, Film & Video Umbrella (ill.)
“Select”, brochure, Film & Video Umbrella (ill.)
“New Video from Great Britain”, pamphlet, MOMA,
New York
1997/8 “Spin Off”, catalogue, Copenhagen (ill.)
“Nerve”, catalogue, Sydney (ill.)
1997 “Smith/Stewart: Polymorphous Perversity”, Iwona Blazwick,
Anthony d'Offay Gallery, solo brochure, London (ill.)
“Correspondences”, catalogue, Edinburgh/Berlin (ill.)
“The Look of Love Rear Window”, brochure
“Escaping Gravity, Video Positive”, catalogue, Liverpool
(ill.)
“Glasgow: Kunsthalle Bern” catalogue, Bern (ill.)
“26th International Film festival” catalogue, Rotterdam
1996 “Everybody's Talking”, catalogue, Netherlands (ill.)
“Electronic Undercurrents: Art & Video in Europe”,
catalogue, Copenhagen (ill.)
“Toyama Now 96”, catalogue, Toyama, Japan, (ill.)
“Now Here, 2 volume”, catalogue, Lousiana, Denmark (ill.)
“Videonale 7”, catalogue, Bonn (ill.)
“Serving Suggestions”, catalogue (ill.)
“Lyon Biennale”, catalogue & CD Rom (ill.)
“Sustain, The Showroom”, solo brochure, London (ill.)
1995/6 “Instant”, brochure, Film & Video Umbrella, London (ill.)
1995 “AVE”, catalogue, Netherlands
“X/Y”, catalogue, Pompidou, Paris (ill.)
“Lovebite, Tramway”, solo booklet, Glasgow (ill.)
“Skot Osz”, catalogue, Budapest (ill.)
“Video Positive”, catalogue & CD Rom 'The Toybox' (ill.)
1994 “Fresh”, brochure, Film & Video Umbrella, London
“New Art in Scotland” publication (illustrated) CCA,
Glasgow
1993 “AVE”, catalogue, Netherlands
Reviews/articles
2007 Enter Love and Enter Death, Inverleith House reviews:
'Smith/Stewart: Enter Love and Enter Death', Rosalie
Doubal, The List, 15-29 Nov, Issue 590
'The space in which we move', Jack Mottram, The Herald,
Friday 30 November
'Smith/Stewart: Enter Love and Enter Death', Kirsten
Norrie, Art Monthly, Dec-Jan 07-08, No. 312
2006 thread, Edinburgh Art Festival reviews including:
'A whole lot of nothing', Iain Gale, Scotland on Sunday, 6
August (ill.)
'Mortal Contact', Catriona Black, The Sunday Herald, 13
August
'Whim and a Prayer', Duncan Macmillan, The Scotsman,
15, August
'Festival Visual Art: Thread, Everybody Comes to
Holyrood', Jack Mottram, The Herald, 18 August
2005/6 Various Night Sites reviews, Germany
2005 various Glasgow International reviews, including:
'Vision On', Gi preview/profile, Vicky Allan, Sunday Herald
Magazine , 17 April (ill.)
'Reaping its just rewards', Moira Jeffrey, The Herald, 29
April
Catriona Black, The Sunday Herald , 1 May
Iain Gale, Scotland on Sunday, 1 May (ill.)
'Glasgow International 2005', Alexander Kennedy, Map,
Issue 2, Summer 2005
2004 Incommunicado, City Arts Centre, Edinburgh, various
reviews including:
'Silence and the visual art of noise', Moira Jeffrey,
The Herald, 19 March
'Milton Keynes Gallery, Smith/Stewart', Jane Neal,
Contemporary, issue no.62
2003 Contemporary issue no. 47 / 48, Gabriel Coxhead (ill.)
Into the breach, Amsterdam review:
'Keten voor het zwarte gat', Merel Bem, de Volkskrant,
18 June
2002 A Black Thread, Chisenhale Gallery reviews:
Art Monthly Dec.02 - Jan. 03, Mark Wilsher, (ill.)
Time Out Nov. 27 - Dec. 4 2002, Rebecca Geldard (ill.)
Evening Standard Claire Bishop
What's On in London Mark Wilsher
2001 'Dissecting Relationships, Starting With Theirs', Michael
Rush, The New York Times, 7 January
2001 Open Country various reviews, Lausanne, including:
'Offen zum Globus', Katharina Dobai, Neue Zurcher
Zeitung, 9 March
Nationality, and beyond.., Neil Cameron, The Scotsman,
20 March
2001 various Here + Now reviews including:
'A game of two halves', Iain Gale, Scotland on Sunday, 28
October
2000 Toronto reviews:
The Globe & Mail, Gillian Mackay, January 29
2000 'Smith/Stewart Galerie Bob van Orsouw', Hans Rudolf
Reust, Artforum, page 152, October (ill.)
1999 NGBK, various press reviews, Berlin
1999 Sweetie,various press reviews, Rome, Italy
1999 Kunstmuseum Luzern, various press reviews, Switzerland
1999 Signs of Life: Melbourne International Biennial review,
Daniel Palmer, Frieze, Issue 48, September/October,
(+ various press reviews, Australia)
1999 Barbican review, Sarah Kent, Time Out, September
22-29, No.1518
1999 Seeing Time reviews:
'How sound affects', Kenneth Baker, San Francisco
Chronicle, October 16
'Unlimited 'Time'', Kenneth Baker, San Francisco Chronicle
1999 Portikus reviews:
Frankfurter Allgemeine Zietung, (ill.), Frankfurter
Ruudschan, November
1998 David Burrows, Art Monthly, February
1998 Charles Esche, Untitled, No. 15 Spring
1998 Melissa Feldman, Art in America, April (ill.)
1998 Hidden Desires various reviews, Japan
1998 Hooded. Bared. various reviews including:
Profile, The Sunday Times, 9 August (ill.)
The Guardian, Adrian Searle, 11 August (ill.)
The Scotsman, 12 August (ill.),
The List 6-13 August (ill.)
The Observer, William Feaver, 23 August
The Usual Suspects, BBC Radio Scotland, 25 August
Contemporary Visual Arts, Elisabeth Mahoney,
Issue 20 (ill.)
'Corps Curriculum', Jonathan Romney, The Guardian,
28 August (ill.)
1998 'In Video Veritas', Catherine Elwes, Make, Issue 81,
Sept-Nov (ill.)
1998 Pandaemonium review, Martin Herbert, Time Out
(Nov 11-18)
1998 'Becoming-Intense, Becoming-Animal,
Becoming-Imperceptible', Maria Walsh, Make, Issue 82,
Dec98-Feb 99 (ill.)
1997/8 Correspondences Edinburgh reviews:
The List (Preview), Susanna Beaumont, 21 Nov-4 Dec (ill.)
The List, Susanna Beaumont, 18 Dec
Scotland on Sunday, Iain Gale, 21 Dec
The Usual Suspects, BBC Radio Scotland, December 1
1997/8 Bittersweet reviews:
Manchester Evening News, 28 November, The Times,
29 November
1997 Variant, Spring
1997 various reviews Glasgow: Kunsthalle Bern, Switzerland
1997 The Look of Love reviews:
Mark Currah, Time Out (May 21-28), (ill.)
Frieze, September (ill.)
1997 Video Positive review, Nick Crone, Make, June-July (ill.)
1997 'Smith/Stewart: I love you to death' Gilda Williams, Art/Text,
October (ill.)
1997 Smith/Stewart, Martin Herbert, Time Out, (Nov 19-26), (ill.)
1997 Correspondences Berlin reviews:
Kunstforum International Dec. 97- Mar 98 (ill.)
Tagspiegel 5 Sept,
Morgenpost 5 Sept,
Die Welt 15 Sept
1996 Instant reviews:
The Observer, 14 January
Time Out, Mark Currah, (Jan 17-24), (ill.)
1996 Lyon Biennale reviews:
Liberation, Le Monde 31 Jan, New York Times,
Art Monthly February, Lapiz, March
1996 Serving Suggestions preview The Scotsman, 8 April (ill.)
1996 'Video', Ben Judd, Untitled, No.10,Spring
1996 Profile 'Love Hurts', Melissa Feldman, Art Monthly,
No. 196, May (ill.)
1996 'Videoscan' Catherine Elwes, Art Monthly,
No. 196, May (ill.)
1996 Instant review, Mark Durden, Creative Camera,
June/July
1996 Toyama Now 96, various press reviews, Japan
1996 various Now Here & Electronic Undercurrents reviews
(Scandinavia & UK)
1995 Video Positive reviews:
Tom Lubbock, The Independent, 9 May, (ill.)
The Independent on Sunday Review, 28 May (ill.)
The Times 28 April
The Guardian, 6 May
Reviews/Articles contd.
1995 Video Positive reviews contd.:
Artists Newsletter May
Untitled Summer 1995
1995 Tramway review, The Herald, Glasgow
1995 The Showroom review, Mark Currah, Time Out,
(Dec. 13-20), (ill.)
1994 Fresh review, Sarah Kent, Time Out, (Dec.7-14)
Other information
Stephanie Smith & Edward Stewart are Academic Researchers &
part-time Lecturers in the School of Fine Art, Glasgow School of Art.
